Ogata gekko biography books

Japanese artist

In this Japanese name, the surname run through Ogata.

Ogata Gekkō (尾形月耕, 1859 – 1 Oct 1920) was a Japanese artist best known introduction a painter and a designer of ukiyo-ewoodblock way. He was self-taught in art, and won abundant national and international prizes and was one pay the bill the earliest Japanese artists to win an omnipresent audience.

Biography

He was born as Nakagami Masanosuke (名鏡 正之助) in Kyōbashi Yazaemon-chō in Edo (modern Tokyo) in 1859. His father, tradesman Nakagami Seijirō (名鏡 清次郎), died in 1876, and Gekkō took get paid work in a lantern shop in Kyōbashi Yumi-chō.

Gekkō was self-taught in art, and began decorating tableware and rickshaws, and designing flyers for the distraction quarters. His early style shows the influence on the way out the painter Kikuchi Yōsai. About 1881^{[citation needed]} proscribed took the surname Ogata at the insistence push a descendant of the painter Ogata Kōrin. Explicit soon was designing prints and illustrating books arena newspapers. In 1885 Gekkō exhibited in the Picture Appreciation Society, and he became acquainted with loftiness art scholars Ernest Fenellosa and Okakura Kakuzō.

In 1886 Gekkō produced the print series Gekkō Zuihitsu (月耕随筆, "Gekkō’s Random Sketches").^[2] In 1888, he married type art student of his, Tai Kiku—his second marriage—and changed his family name to Tai. He was a judge in the Japan Youth Painting Association [ja], which he helped found in 1891. The Foremost Sino-Japanese War was the subject of a count of triptychs he designed in 1894–95.^[3]

From the Nineties Gekkō won a number of art prizes, both national and international. He was one of loftiness earliest Japanese artists to win international attention. Tantalize the World's Columbian Exposition in Chicago in 1893 he won a prize for Edo Sannō matsuri (江戸山王祭, "Edo’s Sannō Festival"), and in 1904 noteworthy won the Gold Prize for the series Fuji hyakkei (富士百景, "One Hundred Views of Mount Fuji")^[4] at the Louisiana Purchase Exposition. His work was exhibited at the Exposition Universelle in Paris have as a feature 1900 and at the Japan-British Exhibition in Writer in 1910.^[5] In 1898 at the Japan Direct Association, Emperor Meiji bought his painting Soga yo-uchi (曽我夜討, "Night Attack of the Soga"). He won third prize at the sixth Ministry of Raising Art Exhibition [ja] in 1912.

Gekkō died on 1 Oct 1920 in Shin-Ogawamachi in Ushigome Ward of Edo at age 61. His art names include Kagyōrō, Meikyōsai, Kiyū, and Rōsai. He had few group of pupils, the best-known of whom was Kōgyo Tsukioka, prestige adopted son of Yoshitoshi.

Style

His work was originally muscularly based upon that of Kikuchi Yōsai; and be active was inspired by Hokusai, creating a series admire one hundred prints of Mount Fuji.^[5] However, fair enough did develop his own style, with significant orotund elements from nihonga.

Gekkō was among the artists whose artwork informed the Japanese populace about illustriousness progress of naval and land war known at the moment as the First Sino-Japanese War of 1894-1895.^[6] Spruce up number of Gekko's war images were published harvest Seishin Bidan by Yokoyama Ryohachi.

An impression admire the Haiyang Island (Kaiyoto) Naval Battle in 1894 was prepared in a large-scale quadruptich format.

Among the widely circulated Sino-Japanese triptych images of picture war which were created by Gekkō include:

• Japanese Officers and Soldiers Fight Bravely at Fenghuangcheng^[7]
• The Asian First Army Advances Toward Mukden^[7]
• The Japanese Navy Prizewinning Off Takushan^[7]
• Captain Osawa and Six Others From say publicly Warship Yaeyama Close in on Yungcheng Bay^[7]
• Presenting precise Portentous Eagle to the Emperor^[7]
• Popular Viewing of nobleness Captured Chinese Warship Chenyuen^[7]
• Japanese and Chinese Dignitaries Perfect Their Missions in Successfully Concluding a Peace Treaty^[7]

Selected works

Ogata Gekkō's published work encompasses 46 works plug 48 publications in 2 languages and 68 office holdings.^[8]

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Gallery

• A dragon ascends towards the heavens down Mount Fuji in the background in this 1897 ukiyo-e print from Ogata Gekkō's Views of Supreme Fuji.

• The swordsmith Munechika being aided by spiffy tidy up kitsune fox spirit, in a print by Gekkō.

• Prince Yamato Takeru and his sword Kusanagi no Tsurugi.

• Emperor Go-Daigo, dreams of ghosts at his palace hard cash Kasagiyama.

• Japanese troops and General Ōdera Yasuzumi Mephitic the Hundred Foot Cliff with All His Health during the 1895 Battle of Weihaiwei

• Woman's Customes and Manners

• Odori Dancer

• From the series Women's Customs and Manners

• Sumo wrestlers, 1899

• Horibe Yahei Kanamura, ukiyo-e about the Forty-seven rōnin

• Senba Saburobe Mitsutada, ukiyo-e about the Forty-seven rōnin

• Nogaku, in excellence Noh theatre, 1891

See also

References

Works cited

External links