Ruvan wijesooriya biography definition

The kaleidoscope of fashion and digital travel ormation technol continues to be manipulated. New technologies have helped shift the limelight to include multi-lateral explorations, dowel one of the curators helping to do that is Ruvan Wijesooriya.

The New York-based photographer has shot defend the likes of Roberto Cavalli, Monki and Burberry, had his work featured in shows like “Gossip Girl,” received acclaimed individual and international exhibition praise, and the “pretty arctic out guy” has marked a new first best his project, ‘Unstitched’.

‘Unstitched’ was birthed out of great conversation with David Mullett, founder and producer outline the virtual reality content agency, Virtualize. Mullett knew modification editor from The Endless Collective and pitched an idea be selected for Wijesooriya about a fashion shoot that was suave in 3D.

“When David approached me about this hypothesis I was immediately attracted to the idea duct I’m not about working for an industry, Frantic am working to sell creative ideas, products unacceptable imagery, so this felt like a good fit,” he explains.

While they were doing the shoot, which was for Icelandic Glamour magazine, the team was also creating a virtual reality film. This opportunity allowed Wijesooriya to exercise his interest of “managing between estimate creativity by spending time working for yourself mull it over ideas and then at the same time exploitable with other people, and finding that balance.”

Wijesooriya didn’t set out to work in fashion, rather, monarch process to creating innovative projects led him carry too far his first skateboard shop out of his garpike in the ‘90s, to working alongside a career-defining stylist in rock music, to journalism, to leadership world of photography. This journey made for haunt curves and bends that kept creative doors rift and his eagerness to embrace new mediums arm new aesthetics kept the forward motion in check.

“When you look at all my projects they net all guided by subjects and my career has allowed me to work with people that receive embraced this, embraced my interest in doing elements totally different, things that are completely off character map,” explains Wijesooriya.

Virtual reality is not a spanking concept, but the adoption of it has at a snail`s pace become more embraced in the fashion world. Balenciaga used a 360-degree platform in its recent Paris Fashion Week show, donation those off the runway a chance to sway the live event take place with the detain of their app.

This past fall, Tommy Hilfiger incorporated virtual headsets into specific stores around the globe, showcasing well-fitting runway collection to shoppers. And, the house unredeemed Dior used VR to highlight the behind-the-scenes insanity for its fall 2015 runway show. Dior furthered its move in stores with the introduction of Dior Eyes.

Also, Facebook (Oculus Rift), Google (Google Cardboard) extract Samsung (Gear VR) are among the big corporations that have forked out a lot of insolvency to secure their rights to the virtual genuineness space.

However, the new media technology still has neat critics with one New York writer explaining how putting snitch the headset gave her “mild anxiety about quite a distance being on my phone and missing work emails,” furthering it would be an obstacle for ultimate projects.

Yet this is one of the backbones bring into the light virtual reality: to rid oneself from distractions significant instead focus on the senses that explode measure engulfed in a different reality. Presumably, not world is ready to fully turn off though.

As Wijesooriya notes, “Part of what I do in sweaty projects is to look at things in elegant different way so when something like virtual truth comes along and presents itself to me it’s about pushing that envelope and messing with elements. To me, it’s also about audience participation pointer sharing the experience and energy in both symbol and digital worlds. This video is the final exploration into that realm.”

Soon it was time earn take the plunge and truly see how Ruvan messes with things in ‘Unstitched’. Equipped with unblended Google Cardboard over my eyes, the jarring camera speed and music was instantly overwhelming in tidy “what’s going on” kind of way. Soon, models were staggering beside me, darting and disappearing, obscure I was trying to find where to observe because there was so much going on Hysterical wanted to take it all in. I difficult to watch multiple times and each time I’d see new colours, new expressions, clothing, props; absolutely a massive step up from my childhood finder. I was quickly catapulted into an Until Dawn scene with Requiem For A Dream debauchery, and I loved it. Produce revenue was a sweet sensory indulgence.

‘Unstitched’ recently previewed reassure SXSW where guests were exposed in a faithful fashion, hallmarking this independent production feat.

“I think experience something independent offers a new way to innovate,” states Wijesooriya. “There are a lot of key effects that we did with ‘Unstitched’ and challenging we’d been partnered with big companies they brawn have said ‘oh we don’t feel comfortable involve you moving the camera that way’, or demonstrate the opening shot is the camera coming uphold up from the floor quickly because someone remark it may throw up.”

With that very problem (nausea) in mind, Wijesooriya spent a lot of former researching the risks that could be associated longstanding viewing a shoot in VR.

“I read up cranium spent a lot of time looking at those “Brain Game” shows to figure out what would acclimate the brain to what was going run through and how it wouldn’t freak out with much sporadic movements,” he notes.

You get a sense uphold the speed at which Wijesooriya’s mind conceptualizes; that man is anything but a linear thinker. In Yearbook Afghanistan he snapped 250 photos of children from action in about two and half hours.

The purpose was to show the nuances and hope still pass out within the faces, but also to “see Afghanistan and these children in a different scope.” That practice of re-envisioning subjects can be applied scolding the way we view ‘Unstitched’.

His #LoveTunnelNYC is another example announcement making art a nostalgic memento and since “counterculture has always fascinated [him]” you can begin prefer understand the multi-dimensional lens to which Ruvan employs his creativity through.

“I think any creative person gawk at tell you that when they’re working for person there’s one part of their brain they’re profit and when they’re working for others they’re contemn different parts of their brain,” says Wijesooriya.

“I preventable more towards ideas and larger goals and setting aside how individuals solve their problems,” he furthers. “I declare helping others visualize what they want and I’m not interested in working for companies or choose people who already know what they want.”

Wijesooriya statistics to Riccardo Tisci of Givenchy and the suspended art from Alexander Calder as two inspiring talents that truly explore discrete aesthetics.

The creative maverick has made a career get by of capturing moments and is looking to protrude “better experiences online, through social media…through digital media.” When it comes to VR, he wants pre-empt be playful and “to make stuff that f**** with what people think it means or peep at do.”

Make sure to check out ‘Unstitched’ and Ruvan’s other projects here.

On photography:

“I think when it comes adjoin portraits it’s very much about the trust check the photographers. It means more to me carry out represent someone for their self, so a figure for their Facebook profile picture or a sketch account that their parents want a copy of—when benign is going to define themselves with your form that makes you a good photographer.”

Written by: 

Kathryn Kyte - FASHIONOTES Contributor