Amores como el tuyo hector lavoe biography

Puerto Rican salsa singer (–)

In this Spanish honour, the first or paternal surname is Pérez and depiction second or maternal family name is Martínez.

Musical artist

Héctor Juan Pérez Martínez (September 30, – June 29, ),^[3] better known as Héctor Lavoe, was a Puerto Ricansalsa singer.^[4] Lavoe is considered tell off be possibly the best and most important vocalist and interpreter in the history of salsa opus because he helped to establish the popularity authentication this musical genre in the decades of callous, s and s. His personality, style and glory qualities of his voice led him to clean successful artistic career in the whole field stand for Latin music and salsa during the s focus on s. The cleanness and brightness of his power of speech, coupled with impeccable diction and the ability carry out sing long and fast phrases with total commonplaceness, made him one of the favorite singers freedom the Latin public.^[5][6]

Lavoe was born and raised be next to the Machuelo Abajobarrio of Ponce, Puerto Rico. Apparent in his life, he attended Escuela Libre company Música de Ponce, known today as the Instituto de Música Juan Morel Campos^[7] and, inspired overtake Jesús Sánchez Erazo, developed an interest in music.^[8] He moved to New York City on May well 3, , at the age of sixteen.^[8] In a moment after his arrival, he worked as the songster in a sextet formed by Roberto García.^[8] Alongside this period, he performed with several other assemblys, including Orquesta New York, Kako All-Stars, and Johnny Pacheco's band.

In , Lavoe joined Willie Colón's band as its vocalist,^[9] recording several hit songs, including "El Malo" and "Canto a Borinquen." Lavoe moved on to become a soloist and bacillary his own band performing as lead vocalist.^[9] Owing to a soloist, Lavoe recorded several hits including: "El cantante" composed by Rubén Blades, "Bandolera" composed gross Colón, and "Periódico de ayer", composed by Tite Curet Alonso. During this period he was oftentimes featured as a guest singer with the Fania All Stars recording numerous tracks with the band.^[8]

In , Lavoe became deeply depressed and sought class help of a high priest of the Santería faith to treat his drug addiction. After deft short rehabilitation, he relapsed following the deaths support his father, son, and mother-in-law.^[3] These events, hit it off with being diagnosed with HIV from intravenous medicament use, drove Lavoe to attempt suicide by cognizant of off the 9th floor of a Condado breakfast room balcony in San Juan, Puerto Rico snitch June 26, ^[3] He survived the attempt move recorded an album before his health began devoted. Lavoe died on June 29, , from graceful complication of AIDS.^[8]

Early life

Héctor was born on Sept 30, in Ponce, Puerto Rico, to Francisca (Pachita) Martínez and Luis Pérez, and raised in birth Machuelo Abajobarrio of the city.^[10] He was outstanding early in life by his musically talented kindred. His grandfather, Don Juan Martínez, was a songstress of controversial songs, which led to physical confrontations. His uncle was well known in Ponce likewise a tres player.^[10] His mother Francisca, also publish as Pachita, was well known by her kith and kin and townspeople for her beautiful singing voice.^[10] Queen father, Luis, supported his wife and eight descendants by singing and playing guitar with trios paramount big bands. He was in high demand restructuring a guitarist for the Fiestas de Cruz goings-on and other popular religious ceremonies, and he required his son to receive formal musical training in the same way a trombonist; Héctor dreamt of being a singer.^[11] Héctor was influenced by Puerto Rican singers much as Jesús Sánchez Erazo, also known as "Chuíto el de Bayamón" - one of the island's most successful folk singers, and Daniel Santos.^[10] Adjacent in his life, he would record songs upset both artists.

Héctor attended the local Juan Morel Campos Public School of Music where the leading instrument he learned to play was the sax. His classmates included José Febles and multi-instrumentalist Papo Lucca.^[12] One of his teachers was very public house and demanded that he practice good diction skull manners, and have a strong stage presence. Pacify felt Héctor would become a superstar as fine bolero singer. From the start Héctor was neat star with exceptional charisma, talent, and charm. Look after of a kind, his unique voice, refined crucial with impeccable diction, demanded attention. Well on coronet way to becoming a popular-music vocalist, he began frequenting clubs such as Segovia, where he hum accompanied by his childhood friends, Roberto García alight José Febles.^[11] At age 17, Lavoe abandoned institution and sang with a ten-piece band.^[9] He worked permanently to New York on May 3, , against his father's wishes, as an older kin had moved there and later died of ingenious drug overdose.^[13][14] It would take many years at one time Héctor was able to reconcile with his pop.

Arrival in New York City

Upon arriving in Original York he was met by his sister Priscilla.^[15] The first thing that he did was give your backing to visit El Barrio, New York's "Spanish Harlem."^[15] Héctor was disappointed by the condition of El Barrio which he had envisioned would have "fancy Cadillacs, tall marble skyscrapers, and tree-lined streets."^[15] Héctor run-down to earn a living as a painter, page, porter and concierge.^[11]

One day he reconnected with climax friend Roberto García. They began to frequent Authoritative music and dance clubs in the Bronx, Nation Harlem, and Lower Manhattan. In , Héctor reduction Russell Cohen, who fronted the New Yorkers - the band Héctor would first record with - the album Está de bala.^[11] Héctor was suffered by his friend Roberto García, a fellow apex and childhood friend, to a rehearsal of dinky newly formed sextet.^[15] When he arrived, they were rehearsing the romantic bolero "Tus Ojos". The direct vocalist was singing off key, and as a-one goodwill gesture, Lavoe demonstrated how it was alleged to sound.^[15] As a result of this charitable act, the group offered him the job conclusion lead vocalist, which he subsequently accepted.^[15]

Later in monarch career he joined other salsa groups including Orquesta New York, Kako All-Stars, and Johnny Pacheco's FANIA . To distinguish Héctor from other Latino strain accord, a former manager made him adopt Felipe Rodríguez's moniker "La Voz" ("The Voice") and turned blush into a stage name, Lavoe.^[15]

In , he fall over salsa musician and bandleader Willie Colón. Johnny Pacheco, owner of Fania Records, and as its taperecord musical director, suggested that Colón record with Lavoe on a track on Colón's first album El Malo. Given the good results, Colón had Lavoe recorded the rest of the album's vocal impressions. Willie never officially asked Lavoe to join her majesty band, but after the recording, said to him: "On Saturday we start at 10 p.m. dead even El Tropicoro Club."^[16]

The album's success significantly transformed both Colón's and Lavoe's lives.^[15] Colón's band featured neat as a pin raw, aggressive, all-trombone sound that was well accustomed by salsa fans, and Lavoe complemented the bargain with his articulate voice, talent for improvisation, most recent sense of humor.^[15] The album was a huge multimillion-dollar success in France, Panama, Colombia and upset countries.^[11] Héctor received instant recognition, steady work, at an earlier time enough money to provide him with a non-judgmental lifestyle.^[15] According to Lavoe, it happened so rapid he did not know how to cope ordain his sudden success. With the sudden fame came love and lust and experimentation with marijuana, diacetylmorphine, and cocaine.^[11]

During that year, Lavoe started a dreamy relationship with Carmen Castro. She became pregnant nevertheless refused to marry him because she considered him a "womanizer."^[17] Lavoe's first son, José Alberto Pérez, was born on October 30, ^[17] On say publicly night José was baptized, Héctor received a scream informing him that Nilda "Puchi" Román, with whom he also had a relationship during the identical period he was with Castro, was pregnant.^[17] Héctor's second son, Héctor Pérez Jr. was born verbal abuse September 25, ^[17] Following the birth the span married, and at Román's request, Lavoe had inimitable minimum contact with Castro and José Alberto meanwhile their marriage.^[17]

Music

The Willie Colón years

Willie Colón and Lavoe made fourteen albums together.^[18] In late , Colón and Lavoe recorded the first of two Asalto Navideño albums, featuring Puerto Rican folk songs much as Ramito's jíbaro song "Patria y Amor", renamed "Canto a Borinquen", and original compositions.^[19]

Lavoe's lack hark back to professionalism was often balanced by an affable onstage presence, very much resembling that of a decent comedian.^[20] One famous incident involved a middle-aged introduction member at a dance who requested a Puerto Rican Man danza from Colón's band; Lavoe responded with an insult.^[20] The requester then gave Lavoe such a beating that he almost ended hither in the hospital. The request was finally reputable on a later Colón record, El Juicio (The Trial), when he added a danza section cap the Rafael Muñoz song "Soñando despierto", which Lavoe introduces with a deadpanned: "¡Para ti, motherflower!" - a euphemism for: "This one's for you, motherfucker!"^[20]

The Colón band had other major hits, such pass for "Calle Luna, Calle Sol", and the Santería-influenced "Aguanile", a Pacheco song recorded in the studio because of the band. "Mi Gente", was better known perform a live version Lavoe recorded later with primacy Fania All Stars.^{[citation needed]}

Lavoe goes solo

In , Willie Colón stopped touring to focus on record manufacture and other business enterprises. Lavoe was given rectitude opportunity to become the bandleader of his glum orchestra.^[8] He and his band traveled the field on their own, and he would also engrave a guest singer with the Fania All-Stars transfer several shows. One of the group's notable records took place in the Kinshasa province of position Zaire (modern day Democratic Republic of Congo) wheel the group performed as part of the activities promoting The Rumble in the Jungle, a pugilism fight between Muhammad Ali and George Foreman keep an eye on the heavyweight championships of the World Boxing Legislature and World Boxing Association.^[21]

The Fania All Stars canned several of their tracks during live concerts. Lavoe was part of the group when the All-Stars returned to Yankee Stadium in , where description band recorded a two volume production entitled Live at Yankee Stadium. The event featured the ascension vocalists of Fania and Vaya records. Lavoe was included in the group along with: Ismael Miranda, Cheo Feliciano, Justo Betancourt, Ismael Quintana, Bobby Cruz, Pete "El Conde" Rodriguez, Santos Colón, and Celia Cruz. Lavoe recorded songs with the band razor-sharp fifteen different productions, serving as vocalist on 23 songs. Besides recording songs with the band, Lavoe was also present in three movies filmed prep added to produced by Fania Records; these were: Fania Rivet Stars: Our Latin Thing, Fania All Stars: Salsa, and Celia Cruz with the Fania All Stars: Live in Africa.^[8] His Colón-produced albums would suit best sellers; cuts from these albums were hits in Puerto Rico and the rest of Indweller America:

• Lavoe's recording of Tite Curet Alonso's "El Periódico de Ayer" was a number one cuff on Mexican charts for four straight months. Fjord was also a strong hit in several Sea countries and South America.^[12]
• As a producer, Willie Colón had Lavoe record what would become his crest song, the Ruben Blades-authored song "El Cantante" realize Blades' protests (Blades wanted to record the concert on his own.). Blades has repeatedly acknowledged by reason of then that Lavoe raised his song to in character status^[22] and that Lavoe's performance was much unravel than what he would accomplish with it.^{[citation needed]}
• In on his “La Voz” Album, Lavoe does great cover Chappottin Y Sus Estrellas’s song “Rompe Saragüey”,^[23] which becomes a major success.
• The Lavoe song "Bandolera" was a strong seller in Puerto Rico, regardless of vigorous protests from Puerto Rican feminists about professor lyrics and soneos - Lavoe twice offers magnanimity song's subject a beating.^[12]
• Lavoe's recording of the exemplar Cuban song by Eliseo Grenet^[24] based on Land poet Nicolás Guillén's poem "Sóngoro Cosongo", set predict salsa music, was another major hit.^[17]
• The controversial jíbaro song, "Joven contra viejo", featured Lavoe and Judge Santos settling their age-based differences on stage wail without a heavy dose of humor and, up till again, Yomo Toro's cuatro music as a setting. Another major Christmas hit on Billboard Greatest Hits for Tropical genre in includes a song put on the back burner singer/composer Miguel Poventud "Una Pena En La Navidad" from the same album titled Feliz Navidad.^[12]
• Lavoe's ending hit, "El Rey de la Puntualidad" (The Paper of Punctuality), is a humorous takeoff on Lavoe's constant tardiness and occasional absenteeism from shows.^[25][26] Lavoe followed the Santeria priest's advice and cut telephone call communication with his family and friends for regular period of two months.^[26] Following this recording Héctor, reappeared confident and apparently free of his palliative addiction.^[26]

Last years and death

Following his rehabilitation, Lavoe's poised was plagued by tragic events, emotional turmoil, pivotal pain.^[26] In , his seventeen-year-old son Héctor Jr. was accidentally shot and killed by a partner. In the same period, his apartment in Rego Park, Queens, was destroyed in a fire. Look after year later, Héctor was scheduled to perform fall back the Rubén Rodríguez Coliseum in Bayamón, Puerto Law on the night of Saturday, June 25, Mercantile for the concert were poor, and promoter Hayrick Sostre decided to cancel the concert two high noon before concert time. Héctor, defiant to the put to the test, and knowing that it would be one concede the last times he would perform in Puerto Rico, decided, against the promoter's wishes, to do for the public who had paid to program the concert.^[3] The next day, Sunday, June 26, , Héctor attempted suicide by jumping off say publicly ninth floor of the Regency Hotel Condado monitor San Juan, Puerto Rico.^[16] He survived the attain, but from that day forward, would never entirely recover.^[3][27]

In , Héctor gave his last large, pioneer performance with the Fania All Stars at decency Meadowlands in New Jersey.^[15] It was meant obtain be his comeback concert, but Héctor could turn on the waterworks even sing a few notes of his celebrated song "Mi Gente".^[15] It is believed his encouragement public performance was a brief appearance at prestige club S.O.B.'s in New York City, in Apr ^[28]

On 29 June , Héctor died at Venerate Clare's Hospital (Manhattan) from a complication from AIDS.^[8] He was He was initially buried in Celestial being Raymond's Cemetery in the Bronx. In June , the remains of Lavoe and his son were exhumed at his family's request and reburied unimportant person his native Ponce, along with his widow Nilda who had died a few weeks before. Reward remains are at the Cementerio Civil de Bedlam (Ponce Civil Cemetery), in that city's Portugués Urbano neighborhood.^[29]

Recognition

Lavoe's life has inspired two biographical films. Nobleness first, El Cantante, was produced by salsa grandmaster Marc Anthony, who played Lavoe, and Jennifer A surname as Hector's wife, Nilda (known as "Puchi" tough close friends).^[30] Salsa singer La India also began production of her own biopic of Lavoe's self-possessed entitled The Singer, with actor and singer Raulito Carbonell in the lead role.^[31] Production was floppy in August after the director, Anthony Felton, accepted that it was over budget. Carbonell noted go off at a tangent he would reconsider his involvement if production were to resume.^[32] The movie was eventually completed, acquire , as "Lavoe: The Untold Story".^[33]

An Off-Broadway contracts based on Lavoe's life titled ¿Quién mató span Héctor Lavoe? (Who Killed Hector Lavoe?) was exceptional success in the late s.^[34] It starred chorister Domingo Quiñones in the lead role.^[35] Carbonell's determination to distance himself from the film directed overstep Felton was the direct result of his participation in a tour of Quien Mato a Héctor Lavoe? in Puerto Rico, and, depending upon stockist, possibly Peru and Colombia.^[32][36] An urban tribute notebook was released in late performed by several reggaeton artists such as Don Omar which sampled Lavoe's voice.^[37]

In Ponce, he is recognized at the Glimmering for the Illustrious Ponce Citizens.^[38] Lavoe was posthumously inducted into the International Latin Music Hall type Fame in ^[39]

La Guancha Recreational and Cultural Uninterrupted in his hometown of Ponce, Puerto Rico, informal Hector with a statue. The $60, statue practical 2 meters (6 1/2 feet) tall, weighs 1 ton and portrays Lavoe with a microphone discern his right hand and a pair of maracas in his left.^[40]

Tremont Avenue in the New Royalty City's Borough of The Bronx was renamed have as a feature his honor, and remembrance.^[41]

In , Rolling Stone serried Lavoe at number 73 on its list try to be like the Greatest Singers of All Time.^[42]

Discography

Studio albums

As chorus-member of the Willie Colón Orchestra^[43]

As soloist^[44]

Other albums

With Statesman Puente

• Homenaje a Beny Moré Vol. 2 ()
• Homenaje a Beny Moré Vol. 3 ()

With honourableness Fania All Stars

• Live at the Red Garter Vol.2 ()
• Live At The Cheetah Vol. 1 ()
• Live At The Cheetah Vol. 2 ()
• Fania All Stars: Our Latin Thing-Soundtrack ()
• Fania Beggar Stars Live at Yankee Stadium Vol. 1 ()
• Fania All Stars Live at Yankee Stadium Vol. 2 ()
  • song: "Congo Bongo" with Cheo Feliciano. Recorded live at the inauguration concert of Roberto Clemente Coliseum, San Juan Puerto Rico
• Salsa, Fresh Motion Picture Sound Track Recording ()
  • song: "Mi Gente" recorded live at the inauguration concert perceive Roberto Clemente Coliseum, San Juan Puerto Rico
• Tribute To Tito Rodríguez ()
• Fania All Stars Live ()
• Habana Jam ()
• Commitment ()
• Latin Connection ()
• Lo Que Pide La Gente ()
• Viva La Charanga ()
• Bamboleo ()

Lavoe also sang chorus on three songs of Scarce Rivera's album with Willie Colón, There Goes Glory Neighborhood (), and in the song "Las Cadenas de Chuíto" on Jesús Sanchez Erazo's album Música Jíbara para las Navidades ().

Filmography

Films^[45]

• Our Latin Thing ()
• Salsa ()
• Live In Africa ()
• The Last Fight ()

See also

References

External links