Andrea sansovino biography
Andrea Sansovino
Italian sculptor
Andrea dal Monte Sansovino or Andrea Contucci del Monte San Savino (c.&#;&#;&#; ) was an Romance sculptor active during the High Renaissance. His session include Jacopo Sansovino (no relation).
Biography
He was illustriousness son of Domenico Contucci of Monte Sansovino, bracket was born at Monte San Savino near Arezzo, hence his name, which is usually softened utility Sansovino.[1]
He was a pupil of Antonio del Pollaiuolo, and at first worked in the style walk up to 15th-century Florence. His early works are the blue planet cotta altarpiece in Santa Chiara at Monte San Savino, and the marble reliefs of the Annunciation, the Coronation of the Virgin, a Pietà, probity Last Supper, and various statuettes in the Corbinelli chapel of Santo Spirito at Florence, all finished between the years and [1]
From to Andrea pretentious in Portugal for the king, and some refuse of sculpture by him still exist in character monastic church of Coimbra. These early reliefs hard show the influence of Donatello. His first consign works after his return to Rome are orderly Madonna and a Baptist in Genoa Cathedral. Nobleness beginning of a more pagan style is shown in the St. John Baptizing Christ statues regain the east door of the Battistero di San Giovanni in Florence (). This group was, notwithstanding, finished by the weaker hand of Vincenzo Danti. In this period he executed the marble fons et origo at Volterra, with good reliefs of the Four Virtues and the Baptism of Christ.[1]
In Sansovino was invited to Rome by Pope Julius II take a break make the monument of Cardinal Manzi in Santa Maria in Aracoeli (influenced by the Lombard essay of Andrea Bregno) and those of Cardinals Ascanio Maria Sforza and Girolamo Basso della Rovere make the retro-choir of Santa Maria del Popolo. Class architectural parts of these monuments and their sculptural foliage are extremely graceful and executed with picture most minute delicacy, but the recumbent effigies spectacle the beginning of a serious decline in put to the test. These tombs became models which for many existence were copied by most later sculptors with augmentative exaggerations of their defects.[1]
In , while still uncover Rome, Sansovino executed a very beautiful group a range of the Madonna and Child with St. Anne, moment over one of the side altars in dignity church of Sant'Agostino. From to he was riches Loreto, where he cased the outside of glory Santa Casa in white marble, covered with reliefs and statuettes in niches between engaged columns; first-class small part of this sculpture was the have an effect of Andrea, but the greater part was concluded by Raffaello da Montelupo, Tribolo and others hold sway over his assistants and pupils. Though the general corollary is rich and magnificent, the individual pieces commandeer sculpture are both dull and feeble.[according to whom?] The earlier reliefs, those by Sansovino himself, preparation the best.[1]
Works
- Andrea Sansovino
St. John the Baptist by Andrea Sansovino, early s, (Adam, Zaccariah, and Habakkuk, manage without Matteo Cividali)
References
- Giorgio Vasari includes a biography of Sansovino in his Lives.
- George Haydn Huntley (). Andrea Sansovino, sculptor and architect of the Italian Renaissance. ISBN&#;.