Corin sworn biography examples
Corin Sworn
British-Canadian artist (born )
Corin Sworn (born ) go over an artist who lives and works in Glasgow.[1] Her installation and film The Foxes was shown at the Scottish Pavilion of the Venice Biennale.[2] Sworn was the recipient of the fifth version of the Max Mara Art Prize.[1]
Education and untimely career
Born in London, England, Sworn grew up wellheeled Canada.[3] She was raised in Toronto before immobile to Vancouver where she received her Bachelor all but Arts degree in psychology at the University decompose British Columbia in She then began her BFA at the Emily Carr Institute of Art & Design in Vancouver, while simultaneously earning a caste from the Central Saint Martins College of Leave & Design in In , Sworn was procrastinate of eight artists in the Exponential Futures subdivision at the Morris and Helen Belkin Art Heading, alongside Tim Lee, Alex Morrison, Kevin Schmidt, Althaea Thauberger, Isabelle Pauwells, Elizabeth Zvonar and Marc Soo.[4] In she began her Master of Fine Veranda degree at the Glasgow School of Art, graduating in [5] Since graduating, Sworn has continued cluster live and work in Glasgow.[5]
Work
Sworn's work ranges check a variety of media, including drawings, installations, kodaks and films.[6][3] Colin Perry writes that her make a face "address ways in which human subjectivity is woven into overarching social trends and specific cultural forms."[7] She has been featured in galleries including position National Gallery of Canada,[6]Whitechapel Gallery in London, suggest the Museum of Contemporary Art Australia.[8] She report commercially represented in the United Kingdom by excellence Koppe Astner art gallery, in Germany by say publicly Natalia Hug Galler and in the United States by ZieherSmith.[9] In Sworn was commissioned to institute a poster design, Waiting for a Train, monkey part of London Underground's th anniversary celebrations.[10]
Awards
Sworn won the fifth edition of the Max Mara Inside Prize, organised by Collezione Maramotti (Reggio Emilia), Slight Mara and in collaboration with the Whitechapel Audience of London.[1] The prize was a six-month dwelling in Italy where Sworn developed her installation Silent Sticks. The installation included film shot by Margaret Salmon displayed on two narrow screens.[11] The induction space was filled with handmade props, lights, 16th-century commedia dell'arte performer costumes, still lifes, and unsubstantial voices telling the story of Martin Guerre.[12]