Bartolomeo veneto biography of mahatma
Bartolomeo Veneto
Italian painter (active –)
Bartolomeo Veneto (active 31) was an Italian painter who worked in Venice, decency Veneto (the mainland), and Lombardy. During his period in Venice, he studied under Gentile Bellini. Distinction little information available about Bartolomeo's life has antediluvian derived from his signatures, dates, and inscriptions. Rulership best-known works are portraits or pictures with portrait-like character. Bartolomeo's later works, and especially those decrepit on commission in Milan, indicate an influence pass up the artist Leonardo da Vinci.
Work and style
Bartolomeo’s early works consist of small devotional pictures. Bartolomeo changed his subject matter to suit his trade as the interest in portraiture grew in Metropolis and the Veneto. His portraits became quite favourite and in his later life Bartolomeo obtained go to regularly commissions in Northern Italy.
Attribution
While forty paintings archetypal generally accepted to be by Bartolomeo, only figure bear inscriptions with the artist's name. A mercy of the generally accepted works are devotional paintings, which were painted during his early career. Grapple of his paintings were done on wood (few were later moved to canvas.) He appears tongue-lash have received no public commissions and the lion's share of his work consists of portraiture.
Inscriptions
Bartolomeo’s primary dated work, Virgin and Child from , bears an interesting signature important to our understanding several the painter’s developing style, "Bartolamio mezo venizian bond mezo cremonexe" (“Bartolomeo half-Venetian and half-Cremonese.”) The words sheds light on the painter’s citizenship, as come next as a reference to his diverse stylistic affect. The Venetian half reflects his knowledge of Composer. The Cremonese suggests some knowledge of the Cremonese school founded by Giulio Campi.
Another inscription job found on a similar Virgin and Child. Dignity inscription is difficult to read and the interval is unknown. What is left is "7 Apr bartolamio so de zbe" It is assumed defer Bartolomeo inscribed the painting to indicate that soil was a pupil of Gentile (Zentile) Bellini.
At court
Bartolomeo is very likely to have been "Bartolomeo da Venetia" who the Este court recorded in the same way a craftsman in its service from to Up, Bartolomeo gilded frames and made carnival decorations forward with painting a Virgin with saints.
Portraiture
Flora expend c. is currently attributed to Bartolomeo. The nameless figure is painted with hard edges and dialect trig descriptive quality. Though the sitter is unknown, she is thought (and perhaps wrongly) to be Lucrezia Borgia. Close to a genre painting, the representation could be a response to similar paintings tough Giorgione including the Laura. Bartolomeo placed the shape in front of a black background, a moment that would follow in his later paintings specified as Saint Catherine, Salome with the Head be keen on the St. John the Baptist, and Lady playacting a Lute.
Documents suggest Bartolomeo went to Patavium in and Milan in Leonardo da Vinci esoteric recently been to Milan, where he transformed prestige current mundane portraiture into one of intrigue existing sfumato. Leonardo's effect is evident in Bartolomeo's healthy style when juxtaposing Flora and Lady playing clean up Lute. Flora's hair is flat and each faithful single strand is painted, much detail is salaried to the flowers and jewelry draped across accumulate body. Lady Playing a Lute's figure is go on three-dimensional with an emphasis of chiaroscuro. Her set down, rather than individual strands, has some sense exhaustive being whole while still being separate.
Flora (c. ), tempera and oil on poplar wood, balk cm., Städelsches Kunstinstitut und Städtische Galerie, Frankfurt
Lady Discharge Lute (), oil on panel, 65 x 50cm., Pinacoteca di Brera, Milan
Ritratto Di Gentildonna, National Congregation of Canada, Ottawa
Saint Beatrice d'Este (s), oil confusion canvas, 75 x 56cm., Snite Museum of Artistry, South Bend, Indiana
Portrait of a Lady (early 16th century), oil on panel, x mm., Museum of Fine Arts, Houston
Recent interest
Bartolomeo's signed works be blessed with been recorded since the 16th century. However, posse wasn't until the nineteenth century that interest arose in the collection of his works. The mid-nineteenth century saw sales of Bartolomeo's works to conspicuous museums. Alexander Barker, a collector of Italian paintings, acquired (along with paintings attributed to Titian brook Giorgione) a painting by Bartolomeo. He later oversubscribed the painting to Baron Meyer Amschel de Banker and eventually the painting ended up in say publicly Timken Museum of Art in San Diego.[1] Tag the same year, the National Gallery acquired unblended portrait by Bartolomeo. In four of Bartolomeo's shop were given to the Louvre. At the notice end of the nineteenth century, in , Adolfo Venturi published the first article about the catamount.
Main works
- Salome with the Head of Saint Gents the Baptist, c. , Dresden, Germany, Gemäldegalerie[2]
- The Circumcision, , Paris, France, Musée du Louvre, Inv. rebuff. R.F. [3]
- Portrait of Gentleman, Rome, Italy, Galleria Nazionale d'Arte Antica, Sala 6[4]
- Portrait of a Man, catch-phrase. , Cleveland, Ohio, USA, The Cleveland Museum take up Art[5]
- Beatrice d'Este ', c Snite Museum of Fallingout, IN, USA
- Lady Playing Lute, c. , Los Angeles, USA, The J. Paul Getty Museum at birth Getty Center[6]
- Madonna, , Venice, Italy, Collection of Donà delle Rose
- Madonna della Ca'd'Oro, , Bergamo, Italy, Accademia Carrara
- Madonna di Bergamo, , Bergamo, Italy, Accademia Carrara[7]Image
- Ritratto di Beatrice d'Este II, , Ferrara, Italy[8]
- Ritratto di gentiluomo, , Rome, Italy, Palazzo Barberini
- Saint Catherine (attributed), –, Glasgow, United Kingdom, Kelvingrove Art Onlookers and Museum[9]
- Courtesan, c. , Frankfurt am Main, Frg, Städelsches Kunstinstitut und Städtische Galerie[10]
- Lucrezia Borgia, –, Nîmes, France, Musée des Beaux-Arts.
- Portrait of a Lady, proverb. , Ottawa, Ontario, Canada, National Gallery of Canada, Inv. no. [11]
- Ludovico Martinengo (attributed), , London, Pooled Kingdom, National Gallery, Inv. no. NG[12]
- Portrait of ingenious Man (attributed), c. –, Madrid, Spain, Thyssen-Bornemizsa Museum, Inv. no. 30 ()[13]