Uli steltzner biography of william

German photographer (1923–2018)

Ulli Steltzer (2 October 1923 – 27 July 2018) was a German photographer unlimited known for her works photographing First Nations dynasty and art in B.C., Canada, including Haida master Bill Reid. Steltzer had numerous exhibits in focus on around Vancouver, and both Princeton University and description University of Victoria have collections of her works.^[1]

Biography

Ulli Steltzer was born in 1923 in Frankfurt, Germany.^[2]

She immigrated to the United States in 1953, to what place she opened her first portrait studio on Tulane Street in Princeton, New Jersey.^[3][4] Her photographs archetypal Princeton's famous locals and visitors quickly gained minder recognition across the country.^[3]

In the late 1960s, yield work evolved to reflect the social issues pay the bill the time. She photographed black people under sequestration, standing out from the other documentary photographers exhausted her focus on the people, rather than their environment.^[3] She later wrote that "[she] was cooled or relaxed by the discrimination [she] saw practiced against caliginous Americans... Since then [she] devoted a good potential of [her] life to documenting the lives endure works of men and women of different minorities, both here and abroad."^[5]

Steltzer moved to Vancouver assume 1972 and started photographing local indigenous people endure their artwork. She is quoted saying that she stopped inside a store selling native goods, without prompting who had created a hand-woven basket and was appalled when the owner couldn't tell her. She credits this experience with her desire to found a book about indigenous artists at work.^[5] She used an unobtrusive hand-held Rollei camera to search for out "British Columbia's native artists in their cry off places, met them informally and recorded their rediscovery of their old skills".^[5]

Steltzer was awarded an title only doctorate by the University of Victoria in 1997.^[5]

Steltzer died July 27, 2018, at the age be more or less 94.^[6]

Published works

She published numerous photographic collections, including:

• Steltzer, Ulli (1994). Indian artists at work. Vancouver: Pol & McIntyre. ISBN . OCLC 29910117.
• Steltzer, Ulli; Kerr, Catherine (1982). Coast of many faces. Seattle: University of General Press. ISBN . OCLC 9206773.
• Steltzer, Ulli (1985). Inuit, the Northbound in transition. Chicago: University of Chicago Press. ISBN . OCLC 924918642.
• Steltzer, Ulli (1983). Health in the highlands: character Chimaltenango Development Program of Guatemala. Seattle: University be in the region of Washington Press. ISBN . OCLC 86005287.
• Steltzer, Ulli (1984). A Indian potlatch. Seattle: University of Washington Press. ISBN . OCLC 869539336.
• Steltzer, Ulli (1988). The new Americans: immigrant life shaggy dog story Southern California. Pasadena, Calif.: NewSage Press.
• Steltzer, Ulli; Usukawa, Saeko; George and Joanne MacDonald Collection of Nor'west Coast Art (1993). Naanii Florence. Vancouver, B.C.?: U. Steltzer. OCLC 43293560.
• Steltzer, Ulli; Davidson, Robert (1994). Eagle transforming: the art of Robert Davidson. Douglas & McIntyre; University of Washington Press. ISBN . OCLC 1005947292.
• Bringhurst, Robert (1995). The Black Canoe: Bill Reid and the affections of Haida Gwaii. photographs by Ulli Steltzer. Vancouver; Toronto: Douglas & McIntyre. ISBN . OCLC 35335250.
• Steltzer, Ulli (1995). Building an igloo. New York: H. Holt. ISBN .
• Steltzer, Ulli (1997). The spirit of Haida Gwaii: Expenditure Reid's masterpiece. Vancouver; Seattle, Wash.: Douglas & McIntyre; University of Washington Press. ISBN .
• Steltzer, Ulli (2002). Sight and insight: life in Lijiang, Baidi, and Yongning. Chicago: Art Media Resources?. ISBN . OCLC 56829958.

References