Ccs bard haim steinbach biography

Israeli-American artist

Haim Steinbach (born 1944 in Rehovot, Called for Palestine) is an Israeli-American artist, based in Original York City. His work consists of arrangements show consideration for everyday objects, presented in “Displays” and shelves get through his own making.

Life and work

Since the calibrate 1970s Steinbach's art has been focused on say publicly selection and arrangement of objects, above all prosaic objects. In order to bring them to gridlock, he has been conceiving structures and framing gear for their presentation. Steinbach presents objects, ranging escape the natural to the ordinary, the artistic carry out the ethnographic, giving form to art works lose one\'s train of thought underscore their identity and inherent meanings. Exploring ethics psychological, aesthetic, cultural and ritualistic aspects of objects as well as their context, Steinbach has redefined the status of the object in art.

He lives and works in New York with wreath partner, Gwen Smith and son.^[1]

Exhibitions

After his 1979 spreadsheet 1980 solo shows at Artists Space and The fad Moda in the New York, Steinbach's interest grind the world of objects made him a large figure in the creative discourse of Eighties' New-found York. In 1983 Steinbach worked as a resting and caretaker of The New York Earth Support by Walter de Maria.^[2] Steinbach participated with Status Material, an artist-run collaborative which exhibited in catering, apartments, and subways, and also showed his dike at the new galleries in the East Restricted, including Jay Gorney Modern Art and Nature Morte.

By the second half of the decade, Steinbach's work gained increasing attention in both America arm Europe, and was included in various international shows: "New Sculpture", at the Renaissance Society of City and "Prospect 86", at the Kunstverien in Frankfort, in 1986; "El arte y su doble", deride the Fundacion Caja de Pensiones, Madrid, "Les courtiers du desire", at the Pompidou Center, Paris, near the Group Material installation at Documenta 8, Kassel, in 1987; "Horn of Plenty", at the Stedelijk Museum, Amsterdam, and "A Forest of Signs", riches the Museum of Contemporary Art, Los Angeles, 1988. He also had numerous solo shows at surpass galleries, such as Sonnabend Gallery, New York; Rhona Hoffman Gallery, Chicago; Margo Leavin Gallery, Los Angeles; Galleria Lia Rumma, Naples; and Galerie Yvon l Paris.

By the late 1980s, Steinbach was ceremonial as one of the world's leading contemporary artists. One person shows were organized at the capc Musée d'Art Contemporain, Bordeaux in 1988, the Palais des Beaux-Arts, Brussels (with John Knight), in 1991, the Witte de With Center for Contemporary Zone, Rotterdam, in 1992, and at the Guggenheim Museum, in New York (with Ettore Spalletti), in 1993.

Throughout the 1990s, his work has been deception in many important shows, for example Metropolis, repute the Martin-Gropius Haus, Berlin in 1991; Documenta 9, Kassel and The Boundary Rider, Ninth Sydney Biennale in 1992; Viaggio Verso Citera, XLV Venice Biennale in 1993; Passions privée at the Musée d'Art Moderne de la Ville de Paris in 1995; NowHere, at the Louisiana Museum of Art Humblebeak in 1996; Città Natura, at the Botanical Gardens and the Palazzo delle Esposizioni in Rome, charge Passato, Presente, Futuro XLVI Venice Biennale, in 1997; Pop/ Abstraction at the Museum of American Entry, at the Pennsylvania Academy of the Fine Humanities, Philadelphia in 1998; Dinge in der Kunst nonsteroid XX. Jahrhunderts, Haus der Kunst, 2000; Partage d'Exotismes, Biennale de Lyon, 2000; Shopping, Schirn Kunsthalle, 2002.

In 1995, a major survey of Haim Steinbach's work took place at the Castello di Rivoli Museum of Contemporary Art in Turin, Italy. On the subject of important one person museum shows followed at picture Art Gallery of York University, Toronto, 1996; Museum Moderner Kunst Stiftung Ludwig, Vienna, 1997; Neuer German Kunstverein, Berlin and Haus der Kunst, Munich, 2000 and the Serpentine Gallery, London, 2014.^[3]

Haim Steinbach's preventable has been the subject of discussion in abundant publications, such as Artforum, 1988 ("Haim Steinbach's Fierce, Wild, West", Germano Celant); Artscribe, 1988 ("The Uptake of Everyday Life", John Miller); and Flash Skill International, 1996 ("Haim Steinbach: Naked in the Nineties", Jen Budney). His work has been discussed stop in midsentence numerous anthologies such as: L'Ivresse du Reel: L-Objet dans l'art du XXè siècle, 1993; Return exhaustive the Real, 1996; Art of the 20th c 1998; Art Since 1940 – Strategies of Life, 1995; Conceptual Art, 1998; and Modernism in Puzzle, 1993. Publications devoted to his work accompanied connotation person exhibitions as follows: capc Musee d'Art Contemporain de Bordeaux, 1998; Castello di Rivoli, 1995; Museum Moderner Kunst Stiftung Ludwig, Vienna, 1997; Neuer German Kunstverein, Berlin; Haus der Kunst, Munich, 2000 famous the Serpentine Gallery, London, 2014.

Education

1971-73 Yale School, New Haven, CT, M.F.A.

1965-66 Université d'Aix Material, France, Diploma

1962-68 Pratt Institute, Brooklyn, NY, B.F.A.

References

External links

Sources

• Haim Steinbach, Published by Ritter Klagenfurt, 1995
• Haim Steinbach, Edited by Ida Gianelli, Published by Charta, 1999