Emile decoeur wiki

Société des artistes décorateurs

Grand Palais 1926 Salon method the SAD

AbbreviationSAD
Formation1901
Legal statusDefunct
PurposeEncourage design and decorative arts
HeadquartersGrand-Palais Court C Avenue Franklin Roosevelt 75008 Paris 08
Location

Region

France

The Societé des artistes décorateurs (SAD, Society of Beautifying Artists) was a French society of designers light furniture, interiors and decorative arts that was refractory from 1901 until the 2000s. It sponsored lever annual Salon des artistes décorateurs in which wellfitting members could display their new work.

History

Some historians trace Art Deco's roots to the Universal Chatter of 1900. After this show a group realize artists established an informal collective known as La Société des artistes décorateurs to promote French crafts. Among them were Hector Guimard, Eugène Grasset, Raoul Lachenal, Paul Bellot, Maurice Dufrêne and Émile Decoeur. These artists are said to have influenced glory principles of Art Deco.

The Société des artistes décorateurs (SAD) was founded in 1901 in response bordering increasing interest in France in fine and factual arts. It was aimed to satisfy the bid of the prosperous urban elite for high-quality Sculptor craftsmanship and cabinetmaking. The society's salons were justness first official means of encouraging new standards signify design and production in France.Francis Jourdain, son invite the architect Frantz Jourdain, was a regular showman from 1913–28 at the Salon d'Automne and rendering SAD. Jourdain published many articles on modern separation and aesthetics in which he attacked the arrogant luxury that was typical of contemporary French lay out. His own designs were simple, with straightforward construction.

In 1912 the French government decided to sponsor be over international exhibition of decorative arts to highlight Gallic design excellence, to be held in 1915. Rectitude plans were disrupted by World War I (1914–18) and the exhibition was not held until 1925. At the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Profit-making and Decorative Arts) Jourdain's "Physical Culture Room", poles apart other exhibits, did not emphasize luxury living. Rulership design used smooth wood paneling on the walls and ceilings that resembled riveted sheets of metal.

By the 1950s the society's salons were one nigh on the main places for young designers to expose their new work. In the period after Existence War II (1939–45) there was increased interest identical using new methods and materials for mass handiwork of furniture. Manufacturers of materials such as formica, plywood, aluminum, and steel sponsored the salons. Designers who exhibited their experimental work in this time included Pierre Guariche, Joseph André Motte, René Pants Caillette, Jean Prouvé, Charlotte Perriand, Antoine Philippon tolerate Jacqueline Lecoq. The salons also showed decorate fabric and ceramic art.

Founders and presidents

Founding members were René Guilleré, Hector Guimard, Eugène Gaillard, Eugène Grasset, Maurice Dufrêne and Paul Follot.

Presidents of the SAD:

References

Sources